Deadline: September 30th, 2017
Payment: 1 cent per word
Afrocentric Books is taking submissions for a futurism anthology.
Futurism is a broad umbrella, encompassing many elements of science fiction and fantasy. For this anthology, we are most interested in science fiction. Time travel, space travel, cultures far advanced from our own. This world, other worlds, space stations, the setting doesn’t matter.
We want adult science fiction stories in diverse settings, featuring diverse people. The “in the future all people are a uniform color of café au lait” trope does not interest us. While it is not necessary for you to describe the physical features of all your characters, we do want to know that one of your main characters is of indigenous African descent. Please read our general submission guidelines prior to submitting.
1,000-7,500 words, although we’ll consider pieces that fall outside those parameters on a case-by-case basis. Multiple and simultaneous submissions ok. No reprints.
If accepted, pay is 1 cent per word. The deadline for submissions is September 30, 2017.
Deadline: July 28th, 2017
Payment: $25 and a contributor’s copy
“Life asked Death: ‘Why do people love me but hate you?’ Death responded, ‘Because you are a beautiful lie and I am a painful truth.’”
The above quote will appear on the first page of the book. Let the title and quote take your imagination and your story, wherever it wants to go.
GENRES: Open to Speculative Fiction (works in which the setting is other than the real world, involving supernatural, futuristic, or other imagined elements); Mystery/Thriller; Horror; Western; Fantasy; or Science Fiction. Some Literary Fiction (only involving social commentary or reflection on the human condition) is acceptable.
Deadline: July 15th, 2017
Payment: Royalties, details below
We have some exciting news at Belanger Books. We are currently accepting submissions for an upcoming anthology. This is a book which we have wanted to put together for years now. Back in 2015, we originally had the idea of putting together an anthology of stories based on The War of the Worlds. While we still may someday put that collection together, we changed our plans when we received a wonderful story submission from author GC Rosenquist. Mr. Rosenquist submitted “The Mystery of the Last Martian”. This excellent story has Holmes and Watson solving the mystery mentioned in the title, and it got us thinking, Why not make an entire anthology of stories where Holmes is in the realms of H.G. Wells? Thus, Sherlock Holmes: Adventures in the Realms of H.G. Wells was born. See story submission guidelines below:
Sherlock Holmes: Adventures in the Realms of H.G. Wells Submissions
Imagine Holmes trying to solve the case of an invisible man, matching wits with a traveler from out of time, or using his deductive skills to help fight martian invaders. These are just some of the stories which could be included in the new anthology Sherlock Holmes In the Realms of H.G. Wells . The anthology will feature traditional Sherlock Holmes stories blended with one or more tales from H.G. Wells.
Belanger Books is calling for submissions from writers, new or established, which are between 5,000 – 10,000 words (it is okay to be over or under some).
The stories must feel like traditional Holmes and Wells stories. For example, the stories should have the traditional Holmes and Watson working with the traditional characters and realms of H.G. Wells. For example, a story that is a sequel to the Time Machine should have Holmes and Watson working with The Time Traveller. It should not feel like Sherlock meets Dr. Who.
The stories must use public domain material (some aspects of Holmes, like his life as a retired bee keeper are still under copyright in America; some of H.G. Wells’s later work is also under copyright in America).
Authors will receive a portion of net sales (between 2 – 5% depending on number of stories) from the Kickstarter campaign and from the first year of book sales.
Authors retain the rights to their work.
Due Date: All submissions must be received by July 15th
Send submissions to: [email protected] Include the word SUBMISSION in the subject heading. In the body include your name, a brief synopsis of your story, and your story length (# of words).
‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.
Editor, Horror Tree
Darren Phoski lifted the blind and peered out the window. He was still there. Mr. Jackson; owner of the jewellery store across the street. Jackson had been watching him for over two hours now, and Darren was decidedly worried.
I shouldn’t be worried, he thought, if we analyse the basics. There was absolutely no way that Jackson could have seen him during the robbery. He’d been wearing a mask, and hadn’t said a single word that might have given away his eastern European accent. And besides…
So what the hell was he doing out there?
And what the hell am I gonna do about it?
Darren sat back down at the table beside the window, and with a trembling hand picked up the litre bottle of beer he was drinking. The liquid swished and foamed. Pretty much like what his head was doing right now.
The initial shock and horror was now subsiding, to be replaced by unease. Uncertainty. He looked at the bottle as though it may hold the answer or a solution to the problem, and to a certain extent there could be a relation here, he mused. Certainly, after downing the fifth since seeing Jackson the first time, there was a chance he might be imagining it. Alcohol could play havoc with one’s perceptions of things.
He decided to chance another peek. The seventh.
With the tips of his fingers, he lifted the blind, holding his breath without even realizing, and cast a wary eye out.
“Shit!” he hissed, and jumped back from the window as though it might explode at any minute.
Mr. Jackson stood across the road, dressed in his habitual three-piece black suit, arms by his side, and staring up directly into Phoski’s second-floor window. The overhead street light cast an eerie shadow around Jackson that should not have been there either. And Phoski would have sworn that the shadow moved of its own accord, albeit slightly. Swirling, expanding and decreasing as though it were breathing. Partners in crime. A dark one. Very dark.
Darren slumped back into his chair; drunk, nervous, and alarmed. He mentally recalled the robbery. It had gone perfectly. Five minutes before closing time at eight, when Mr Jackson would have no customers, people would be busy rushing home from work, and Jackson no doubt thinking of dinner, and putting his weary feet up in front of the television. He was reasonably old-near retirement age presumed Phoski-thus should provide little or no threat. By simply removing the revolver he kept hidden in his jacket, no words would be necessary. The language of guns was universal.
Jackson had looked scared, as though he might suffer a heart attack even. Phoski didn’t want that to happen. It was one thing going away for a couple of years for theft, another off for fifteen for second-degree. So, he finished the job as quick as possible before anything nasty might happen, and left. The next day, he sold the jewels for a tidy eight thousand, and life seemed wonderful again.
And now this.
Somehow that old fucker had discovered that it had been him. How, he couldn’t even begin to wonder, but then, considering that what was waiting, lurking, outside for him- and who knows what ideas Jackson might have in his head should they be re-united- it might be an idea to start looking at things in a new light
Because Mr. Jackson, owner of Jackson’s Jewellery Shop, should not fucking be there.
All kinds of drunken thoughts passed through Darren’s head. Maybe he’d read the article in the newspaper wrong? Perhaps he was shitfaced and imagining it? The guilt of what he’d done catching up with him. Could it be that…? No. Don’t go there. Because that’s impossible, right? He would be the first to accept that plenty of weird shit happened in the world-often tragic, occasionally amusing, sometimes downright bizarre-but that was the kind of shit you laughed and joked about in the bar with your buddies. The usual thing;
‘been smoking too much dope, have you?’
‘been watching too much X-Files, pal. It’s getting to ya.’
‘good idea to see a psychiatrist, don’t you think, chum?’
On one occasion, during the robbery of a gas station on Halloween of all nights, the employee’s girlfriend had startled him (scared him almost to fucking death actually) by appearing from the office wearing a zombie mask after hearing the ruckus out front. That had freaked him out, and for several days afterwards, had seriously considered a new career. An honest one. But this…
This bordered on abnormal. Beyond comprehension. Fucking neurotic.
Darren dropped the empty beer bottle. He couldn’t stay here all night, on the verge of a mental breakdown, wondering if he had finally lost it, or there really was an explanation plausible, natural. It was time to confront Mr. Damn Jackson who should be somewhere else right now, somewhere specific that did not allow for doubt or certain questions about one’s state of mind.
“Fuck it,” he said and stood up, rapidly grabbing onto the edge of the table to avoid falling back down again.
Two things were about to happen. One: some guy impersonating Jackson was going to get very probably shot for freaking him out so much, or two: Darren was going to need lots of help very probably in the near future. If he survived.
He picked up his trusty revolver, thrust it into the back of his trousers, and before heading towards the door, looked once more at the newspaper article to confirm his suspicions;
JEWELLERY STORE OWNER DIES IN ROBBERY
Andrew Jackson, owner of Jackson’s Jewellery Store, was found dead of a heart attack this morning following a robbery at his store. Police are currently investigating the robbery, but as yet have no leads…
Justin Boote has lived for over twenty years in Barcelona, Spain, plying his trade as a stressed waiter in a busy restaurant. He has been writing horror stories for just over a year, and currently has 8 published in diverse magazines including for Lycan Valley Press, Deadlights Shotgun magazine, Zimbell House Publishing, Dark Dossier Magazine and The Horrorzine’s summer edition.
He is also a member of a private writer’s forum called The Write Practice where he has also acted as a judge on two ocassions for their contests.
We gorge ourselves on the scents and sights of the street market. From behind the church, a lone flute pipes its melancholy notes. Lured in, we wander over to where the toppled tombstones hug the earth. A line of dancing children snakes out of the graveyard grass. One of them, a bedraggled girl, approaches with a pitiful smile showing rotted teeth.
‘Rosemary?’ She holds out her hand.
You cannot resist her call. The music tugs at your spirit. You are drifting away from me.
Selfishly I have kept you with me too long. It is time to let you go.
Alyson trained originally in the UK as a teacher/tutor. She wrote a couple of children’s books which were published by Collins and Ginn. Now she lives near Bronte terrain in Yorkshire with her teen son, partner and 3 rescue cats. She writes noir Flash Fiction (some of which is published online) and spooky longer tales (3 are available for download on www.www.alfiedog). She has a collection of her Flash fiction coming out soon from Chapel Town Books in the UK. She enjoys old movies, singing, and swimming. She is a confirmed chocoholic and is still hopeless at maths. Her blog is at http://www.alysonfayewordpress.wordpress.com.
There was a need she couldn’t fill.
Sex, drugs, rock and roll, she’d tried it all.
It was always there, unfulfilled.
She wanted more. Needed more.
The boys couldn’t help with lust and desire.
The girls couldn’t help in the heat of the fire.
The highs lead to lows and turned happiness to woes.
The music was a reprieve but couldn’t satiate her need.
But one day she found the solution to her pain.
An accident that happened while driving in the rain.
She’d killed her first in that dreary night.
It wouldn’t be the last. It felt so right.
The Midwest’s very own curvaceous author of strumpets, harlots, kink, fetish, and all kinds of other illicit and fun-filled naughty activities!
Deadline: August 31st, 2017
Payment: 0.03/word and a contributor’s copy
CRYPTOZOOLOGY: the study of and search for animals and especially legendary animals (such as Sasquatch) usually in order to evaluate the possibility of their existence
CRYTPID: an animal whose existence or survival to the present day is disputed or unsubstantiated; any animal of interest to a cryptozoologist
We’ve explored loneliness, isolation, and solitude in our first anthology. We Put the Love Back in Lovecraft in our second anthology. Now we are looking for stories involving the creatures which hide in the shadows — the monsters of cryptozoology.
Bigfoot, Nessie, el Chupacabra, The Jersey Devil — cryptids so well known that they have become part of the cultural zeitgeist.
For our new anthology, tentatively entitled Hidden Animals: A Collection of Cryptids, we are looking for lesser known cryptids, creatures of the dark corners of cryptozoology. They can be the antagonist, the protagonist, the creeping dread which drives the story, but they must be present.
What We Want:
Finely crafted works of Dark Speculative fiction which feature one (or more) of the lesser known, but established cryptids. Authors are encouraged to put their own spin on the classic creature. Make them terrifying. Make them sympathetic. Make them humorous. Above all, make them feel real.
What We Don’t Want:
Non-fiction. We want fictional stories with a plot and a well defined story arc. While we are interested in hearing about your own personal experience, or that of your friend or family member, this is not the book for that.
New Monsters. While we appreciate your creativity, we are looking for stories which feature creatures that readers will have at least a passing knowledge of. Give us your giant cats, dogboys, and lake creatures, but please do not create your own creature.
[Note: There are plenty of website which describe various cryptids. A brief list appears here.]
Stories where nothing happens. Keep the creatures in the shadows if you like, but give us something. There’s a reason that we don’t watch that show where they look for but never actually find Bigfoot.
Retreads of established stories. This is going to be a little tougher. We dowant stories based on “actual encounters.” Feel free to incorporate material from real life sightings. Sprinkle the history of the creature in your prose. Do not simply give us a fictionalized version of a story that you read in another book or saw on the big or little screen.
We don’t like being sued.
Aliens. Yes, there is some overlap between the study of some cryptids (e.g., el chupacabra) and extraterrestrial beings, we are not looking for stories that exclusively feature visitors from other worlds. Maybe in a future anthology, but not this one.
Important Note: We are going for cryptozoological diversity. Towards this end, we will only accept ONE story featuring each cryptid. Authors may consider focusing on a lesser known cryptid, or getting their submissions in early.
The Specifics: We are looking for short fiction up to 6,000 words. While we prefer original material, we will consider reprints. Please query before submitting reprints. Naturally, we will only consider stories which you retain the rights to. Please provide original publication information for all reprints. Fan Fiction, Slash Fiction, and any other material containing characters or setting which you did not create, are not acceptable (so no returning to Boggy Creek). Submissions should follow standard format. For an example of what we are looking for in terms of formatting, please visit Shunn’s website. The only addendum to this is that the editor prefers Times New Roman.
Please edit your material carefully. Common spelling errors (they’re/their/there, your/you’re) may be acceptable in social media posts, but not in works submitted for publication.
Word (.doc/.docx) format is preferred, but we will also accept submissions in Open Office (.odt), and Pages (pages). Send your stories to [email protected]. In the subject line of your e-mail list “Hidden Animals,” the title of your story, and your last name. For example:
Hidden Animals / Really Awesome Story / I. M. Ayeti
E-mails which do not follow this format will be deleted unread.
Provide a short (500 words or less) biography in the body of your e-mail. Also, feel free to provide a brief description of the cryptozoological being which appears in your story along with links and/or citations.
We are looking for North American Print and Digital Rights. Rights revert back to the author upon publication. Submissions accepted until 31 Aug 2017 or until filled. Our previous anthologies have each closed to submissions a month or more before the deadline. For this book, we are only looking for 13 – 15 stories (instead of the 21 – 30 stories of our previous anthologies) Don’t delay, start writing today!
Multiple submissions are OK, but please wait until you have received a response on your first piece before submitting your second. Simultaneous submissions: no.
Estimated publication date Winter 2017 via Create Space and Smashwords.
At this time payment is three cents per word ($0.03/word) plus one contributor’s copy and one digital version in the format of the author’s choosing. We will be running a crowd sourcing campaign with the goal of providing higher monetary recompense to our authors. As with our previous anthologies, this is a charity anthology to raise money for the canine rescue organization Last Day Dog Rescue.
Note to New Authors: Most publications seek First North American Rights. While you may be able to sell your story again as a reprint, publication in this anthology may limit your story’s future marketability and may affect the amount of money you will be able to receive from other markets. Please take this into consideration before submitting.
Deadline: August 15th, 2017
Payment: $50 CAD and a contributor’s copy
The ability for people to control (to some extent at least) fire has long been held as one of the major events that contributed to human evolution, but when fire eludes or escapes our control it is also one of the most destructive forces on earth. Associated with passion, power, transformation and purification, fire is a ferocious element with an unquenchable appetite.
We want to explore the many facets of this beautifully furious element and the creatures associated with it so Fire: Demons, Dragons and Djinns will be filled with stories about every kind of fiery creature you can imagine, not only those listed in the subtitle. We’re looking for phoenixes, ifrits, salamanders, lava monsters and fiery beasts no one has ever heard of before. And of course this anthology will not be complete without at least one demon, dragon and djinn!
Rights and compensation: Payment: $50 CAD flat fee and a paperback copy of the anthology. In exchange we are seeking first world rights in English and exclusive right to publish in print and electronic format for six months after publication date, after which publisher retains nonexclusive right to continue to publish for the life of the anthology.
Open submission period: June 1, 2017 – August 15, 2017
I don’t always share sales here but this one for BlankPage is well worth taking a look at. Full disclosure, my links to the product ARE affiliate links but if I didn’t feel it was worth it, I wouldn’t be listing it here.
The reason that I’m listing it? BlankPage is “a distraction-free writing app that motivates you to write – every day.” Honestly, I’ve been using it since the first time I saw the deal come around and as I had just picked it up and wasn’t used to it yet hadn’t listed it off previously. If I knew how much I loved it I would have brought it up sooner.
The product is cloud based with a local save feature that lets you work online or offline. Not only that, but it has three main features that really make this product work.
Distraction Free Writing
Everything you need to start writing and keep writing. Nothing else, just to help you write more.
Set And Track Goals
This was the big one for me. You can “calendar your success” and decide how many words you want to write on a daily basis which BlankPage helps you do.
The software has a clear process taking you from start to finish of what you want to write. Having reminders to get your writing done is a huge bonus as well for when you need that extra push!
Why is this a deal? Well, usually the software will run you $10/month on a subscription service. This offer is giving you lifetime access for $25 USD. A lifetime subscription usually runs closer to $500.
A one time fee for a great distraction-free writing app that has a ton of great features? Absolutely!
For the coffee drinkers out there – this is less than a full month worth of coffee from a Dunken Donuts, which means even less for you Starbucks drinkers!
So if you’re interested, check out BlankPage today!
Mummy Knows Best
Editor: Theresa Derwin
Publisher: Quantum Corsets
Submission deadline: Midnight GBT Sun 16th July 2017
Attach as: Word doc or doc x
Release date: Autumn 2017 at a SFF/Horror Con
So, what do we want? What will your story need to be to potentially meet our requirements?
It’ll be 3,500 – 7,000 with a preference of 5,000 words.
You’ll have followed the Shunn guidelines and;
used double quotation marks for speech and single for inverted commas.
Mummy Knows Best is an anthology about Mummies. Not Mothers! Though if you have a great idea about a Mummy who’s a mummy, why not give it a whirl?
Please consider the range of Mummies across the globe or even beyond! No place is anathema and no time is prohibited. I don’t want just Egyptian mummies! In fact, I will be accepting no more than two Egyptian mummy stories.
If you have a solid idea for an Egyptian based story, please approach me at the email address below with a brief outline of no more than 200 words by 22nd June 2017.
We would like to see a wide variety of stories from Eastern and Western cultures as well as anywhere your imagination takes you. However, I don’t want a rehash of Brendan Fraser or Tom Cruise blockbusters. Think Universal rather than Michael Bay – adventure and a sense of wonder are encouraged. A sense of humour would be good – if it doesn’t become a pastiche.
I am looking for diversity – not just single, white, male, middle class characters. Reflect the multi-cultural society in which we live. LGBT characters are encouraged. Consider #POC as protagonists. Breath life and substance into your characters and settings.
Please send your story as an attachment to [email protected] by the submission closure date.
Your email subject should be;
Do not include a bio at this stage.
Please ensure your Word or RTF doc is titled as follows;
Decisions will be notified by email within 4 – 6 weeks after submission closure date.
You should receive a receipt for your submission within 10 days of sending it to the correct email address.
The important bit – Payment
Successful authors will receive:
A physical copy of the paperback and eBook of Mummy Knows Best
A year’s subscription to receive all our eBooks 2017
A £10 token payment at the launch event or within one month of the launch event.
A 5% royalty
Deadline: July 1st, 2017
Payment: Contributor’s Copy
Thurston Howl Publications is now accepting submissions for volume two of its furry anthology series SPECIES: Foxes.
Deadline: July 1, 2017
Word count: 2,500-8,000; a little above and a little below will be acceptable
Please put the story title and FOXES in the subject.
Foxes have been tricksters throughout most cultures. From the flame-tailed Japanese kitsune to the wily Reynard and Disney’s Robin Hood, foxes have been playful and mischievous characters across the globe. For the second volume of SPECIES, we want to see the many faces of anthro foxes. We will be accepting exactly five reprints and five original stories. Foxes have to be the central characters, but they do not have to be the only characters in these stories. While we will accept stories of wolves in pre-modern settings, we will prefer stories of them in 1900s to futuristic settings.
You can submit up to three stories, but we will only accept one per author (if any). (Reprints do not count in the total).
Reprints are encouraged, but you have to own full permission of the work in order for us to consider it.
We will not accept simultaneous submissions.
Payment: Authors will receive a free copy of the print book.
Send submissions in .doc or .docx format to [email protected].
If you are sending more than one submission, send multiple emails instead of putting them all in one.
We will inform all authors regarding decisions within a week or two after the deadline.
Book will likely be released in July.